Beyond Neoliberalism Conference 2025
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| Wed 14 December 2022 | 9:00AM |
Short (approx. 10 min) films taking viewers on a virtual wander around the Garden. |
| 10:00AM - 12:00PM |
Highlight Will Carter - Man of Letters An exhibition of the works of Will Carter OBE: a master craftsman - printer, typographer, calligrapher, carver of wood and slate - for whom good design was “a matter of seeing the simplest way of doing something, which is usually the best”. He is regarded as amongst the finest lettering artists of his generation and the post-war era. |
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| 10:00AM - 5:00PM |
Defaced! Money, Conflict, Protest This new exhibition is the first of its kind to examine the interplay between money, power and dissent over the last 200 years – with a key strand of the show exploring the role of the individual in protesting for rights and representation. |
|
| 10:00AM - 6:00PM |
Highlight Life is Still Life Life is Still Life presents an exciting selection of modern and contemporary works by women artists in the genre of still life. |
|
| 11:00AM - 5:00PM |
Pick of the month Paint Like the Swallow Sings Calypso Kettle’s Yard is pleased to present Paint Like the Swallow Sings Calypso, a major new exhibition curated in dialogue with artists Paul Dash (b. 1946, Barbados), Errol Lloyd (b. 1943, Jamaica) and John Lyons (b. 1933, Trinidad). |
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| 12:00PM - 5:00PM |
Highlight GAVIN TURK: IN SEARCH OF ARIADNE A new exhibition by artist Gavin Turk opens on 6 October 2022. In Search of Ariadne unravels the cultural meme of the reclining figure in art. What is the reclining figure? Why is this something that artists have been intrigued with for centuries and where does this form originate? |
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| 2:00PM - 4:00PM |
Highlight Will Carter - Man of Letters An exhibition of the works of Will Carter OBE: a master craftsman - printer, typographer, calligrapher, carver of wood and slate - for whom good design was “a matter of seeing the simplest way of doing something, which is usually the best”. He is regarded as amongst the finest lettering artists of his generation and the post-war era. |