Mon 12 February 2018 | 9:00AM - 6:00PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
Tue 13 February 2018 | 9:00AM - 6:00PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
10:00AM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
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10:00AM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
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10:00AM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |
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Wed 14 February 2018 | 9:00AM - 6:00PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
10:00AM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
|
10:00AM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
|
10:00AM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |
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Thu 15 February 2018 | 9:00AM - 6:00PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
9:00AM - 6:30PM |
Visions of Plague: Photographs of the third plague pandemic The exhibition showcases the founding moment in epidemic photography, presenting photographs collected and digitized from across the world by the ERC-funded project Visual Representations of the Third Plague Pandemic. The exhibition extends over all four floors of the building. |
|
10:00AM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
|
10:00AM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
|
10:00AM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |
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Fri 16 February 2018 | 9:00AM - 6:00PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
9:00AM - 6:30PM |
Visions of Plague: Photographs of the third plague pandemic The exhibition showcases the founding moment in epidemic photography, presenting photographs collected and digitized from across the world by the ERC-funded project Visual Representations of the Third Plague Pandemic. The exhibition extends over all four floors of the building. |
|
10:00AM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
|
10:00AM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
|
10:00AM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |
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Sat 17 February 2018 | 9:00AM - 4:30PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
10:00AM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
|
10:00AM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
|
10:00AM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |
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1:00PM - 2:30PM |
Highlight Genomic Expressions Genomic Expressions exhibition asks the question 'What does genomics mean to you?' to those who work at the Wellcome Genome Campus. Some answers may make you smile, some are heart-warming but all encourage us, the viewer, to reflect on our own answer to the question. |
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Sun 18 February 2018 | 9:00AM - 4:30PM |
Landscapes Below: Mapping and the New Science of Geology Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science. |
12:00PM - 5:00PM |
Degas’s Drinker: portraits by Marcellin Desboutin Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint |
|
12:00PM - 5:00PM |
Sampled Lives: Samplers from the Fitzwilliam Museum Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives. |
|
12:00PM - 5:00PM |
The Object of My Affection: stories of love from the Fitzwilliam collection Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance. |