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Events open to the public from the University of Cambridge

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Talks

Holding it Together: Making, Maintaining and Mending from the Early Modern to the Present

‘Holding it Together’, a two-day symposium taking place in late June 2026, addresses this gap, bringing together makers and scholars of material culture to co-create new and robust concepts of lastingness rooted in both historical understanding and contemporary practice.

Mon 8 June 9:00AM - 6:00PM

Sustainability, Storytelling, and Law: Interdisciplinary approaches to the polycrisis

This interdisciplinary conference explores the relationship between law, literature, and cultural production in an age increasingly defined by ecological, social, and economic crisis.

Tue 9 June 9:00AM - 6:00PM

Sustainability, Storytelling, and Law: Interdisciplinary approaches to the polycrisis

This interdisciplinary conference explores the relationship between law, literature, and cultural production in an age increasingly defined by ecological, social, and economic crisis.

7:30PM - 9:00PM

Chivers and Sons 1873-1959

Mill Road History Society presents a talk about the legendary Chivers and Sons and their contributions to the development of the preserves industry

Wed 10 June 6:00PM - 9:00PM

LATE at Kettle's Yard

Join us at Kettle’s Yard for an evening of art, talks, music and making, inspired by our exhibition Handpicked: Painting Flowers from 1900 to Today.

Fri 12 June 10:00AM - 6:00PM

Highlight In Her Words: Women Artists and Life Writing Symposium

For centuries, women artists have produced autobiographical accounts of their lives and careers, using diaries, letters and other types of writing as a means of resistance, reflection, and self-fashioning. Taking a broad geographical approach, this symposium will address how women artists, between 1900 and the present, navigate their artistic identities through writing.

2:00PM - 3:00PM

Maria Fusco reading in the Kettle's Yard house

Join writer Maria Fusco for an afternoon reading in the Kettle’s Yard house, inspired by Gillian Ayres’ painting Untitled.