WHAT'S ON

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.