Exhibitions
Rise Up: Resistance, Revolution, Abolition
Learn about the fight to end transatlantic slavery through the stories of the people, communities and anti-slavery movements who campaigned for abolition.
| Mon 27 October 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 5:00PM |
52 Days to Timbuktu - an exhibition by Tim Oelman Art exhibition by Tim Oelman |
|
| 9:00AM - 5:00PM |
Social Commentary - an exhibition by Mohammed Djazmi Exhibition by artist Mohammed Djazmi |
|
| 9:00AM - 6:00PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 10:00AM - 12:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 5:30PM - 7:00PM |
Talk by the artist |
|
| Tue 28 October 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 5:00PM |
52 Days to Timbuktu - an exhibition by Tim Oelman Art exhibition by Tim Oelman |
|
| 9:00AM - 5:00PM |
Social Commentary - an exhibition by Mohammed Djazmi Exhibition by artist Mohammed Djazmi |
|
| 9:00AM - 6:00PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 10:00AM - 12:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 4:00PM |
Highlight The Polar Muse The Polar Muse is a collaboration between The Polar Museum, PN Review and eight of Cambridge's most exciting and innovative poets. |
|
| 10:00AM - 4:00PM |
Highlight The Thing Is... This exhibition explores the many ways in which we consider and care for museum objects, how and why objects gain meaning and why we collect them and their accompanying stories. |
|
| 10:00AM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 10:00AM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 10:00AM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| Wed 29 October 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 5:00PM |
52 Days to Timbuktu - an exhibition by Tim Oelman Art exhibition by Tim Oelman |
|
| 9:00AM - 5:00PM |
Social Commentary - an exhibition by Mohammed Djazmi Exhibition by artist Mohammed Djazmi |
|
| 9:00AM - 6:00PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 10:00AM - 12:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 4:00PM |
Highlight The Polar Muse The Polar Muse is a collaboration between The Polar Museum, PN Review and eight of Cambridge's most exciting and innovative poets. |
|
| 10:00AM - 4:00PM |
Highlight The Thing Is... This exhibition explores the many ways in which we consider and care for museum objects, how and why objects gain meaning and why we collect them and their accompanying stories. |
|
| 10:00AM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 10:00AM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 10:00AM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| Thu 30 October 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 5:00PM |
52 Days to Timbuktu - an exhibition by Tim Oelman Art exhibition by Tim Oelman |
|
| 9:00AM - 5:00PM |
Social Commentary - an exhibition by Mohammed Djazmi Exhibition by artist Mohammed Djazmi |
|
| 9:00AM - 6:00PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 10:00AM - 12:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 4:00PM |
Highlight The Polar Muse The Polar Muse is a collaboration between The Polar Museum, PN Review and eight of Cambridge's most exciting and innovative poets. |
|
| 10:00AM - 4:00PM |
Highlight The Thing Is... This exhibition explores the many ways in which we consider and care for museum objects, how and why objects gain meaning and why we collect them and their accompanying stories. |
|
| 10:00AM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 10:00AM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 10:00AM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| Fri 31 October 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 5:00PM |
52 Days to Timbuktu - an exhibition by Tim Oelman Art exhibition by Tim Oelman |
|
| 9:00AM - 5:00PM |
Social Commentary - an exhibition by Mohammed Djazmi Exhibition by artist Mohammed Djazmi |
|
| 9:00AM - 6:00PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 10:00AM - 12:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 4:00PM |
Highlight The Polar Muse The Polar Muse is a collaboration between The Polar Museum, PN Review and eight of Cambridge's most exciting and innovative poets. |
|
| 10:00AM - 4:00PM |
Highlight The Thing Is... This exhibition explores the many ways in which we consider and care for museum objects, how and why objects gain meaning and why we collect them and their accompanying stories. |
|
| 10:00AM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 10:00AM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 10:00AM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 12:00PM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| Sat 1 November 2014 | 8:00AM - 5:00PM |
Makers of contemporary Cambridge Who are the makers and artists of Cambridge? What are their personal accounts and stories of risk? |
| 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
|
| 9:00AM - 4:30PM |
Highlight Private lives of print: The use and abuse of books 1450-1550 An exhibition of over 50 of Cambridge University Library's wonderful early printed books, selected for the stories they tell about the use of books in the first hundred years after the invention of printing. |
|
| 9:30AM - 12:30PM |
Norman Ackroyd - The Furthest Lands: A Journey Round the British Isles An exhibition of etchings at Trinity Hall |
|
| 10:00AM - 4:00PM |
Ediacaran Enigmas: resolving the fossil record of early animals This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'. |
|
| 10:00AM - 4:00PM |
Highlight The Polar Muse The Polar Muse is a collaboration between The Polar Museum, PN Review and eight of Cambridge's most exciting and innovative poets. |
|
| 10:00AM - 4:00PM |
Highlight The Thing Is... This exhibition explores the many ways in which we consider and care for museum objects, how and why objects gain meaning and why we collect them and their accompanying stories. |
|
| 10:00AM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 10:00AM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 10:00AM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with Wolfson College, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| 10:00AM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 10:00AM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 10:00AM - 6:00PM |
Highlight Exhibition: poppies (women and war) An exhibition of contemporary photography by Lee Stow, focusing on images of women whose lives have been touched by war, and of poppies, to commemorate the centenary of the First World War. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |
|
| Sun 2 November 2014 | 8:00AM - 5:00PM |
Sula Rubens- artist in residence Sula Rubens is currently working as Artist in Residence at The Michaelhouse. You are welcome to talk to her about her work. |
| 10:00AM - 6:00PM |
Highlight Exhibition: poppies (women and war) An exhibition of contemporary photography by Lee Stow, focusing on images of women whose lives have been touched by war, and of poppies, to commemorate the centenary of the First World War. |
|
| 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
|
| 11:30AM - 5:00PM |
In Helen Ede’s bedroom, in the house at Kettle’s Yard, a series of wood engravings by Gwen Raverat (1885-1957) are on display. |
|
| 11:30AM - 5:00PM |
A rare opportunity to enjoy the collected films and projects by artist duo Karen Guthrie & Nina Pope, in this their first gallery exhibition since they won the Northern Art Prize in 2008. |
|
| 12:00PM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
|
| 12:00PM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
|
| 12:00PM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
|
| 12:00PM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
|
| 2:00PM - 5:00PM |
Norman Ackroyd - The Furthest Lands: A Journey Round the British Isles An exhibition of etchings at Trinity Hall |
|
| 2:30PM - 5:00PM |
Highlight Exhibition. myths, memories and mysteries: artists revisit the past Jointly hosted with the Museum of Classical Archaeology, Myths, Memories and Mysteries is a mixed-media exhibition which explores the ways in which artists confront and negotiate the past, with a special focus on Greece. |