WHAT'S ON

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

University social club swimming Cancelled

This event has been cancelled. Lane swimming available every Tuesday for University and non-University individuals

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Challenges to monetary policy in a global context

A talk by the former Deputy Governor of the Central Bank of the Republic of Turkey, Professor Turalay Kenc.

Exhibiting Ice Age Cambridge

In the first talk in the CNHS spring programme Douglas Palmer will outline the process and problems of preparing an exhibition on ‘Ice Age Cambridge’.

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Queer Antiquities: a Museum Trail

A trail in the Museum of Classical Archaeology to celebrate LGBT History Month.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Organ Recital

To be performed by Andrew Nethsingha (Director of Music, St John’s College)

City of Cambridge Symphony Orchestra concert

CCSO plays an all-Russian programme including music by Rachmaninov and Tchaikovsky