WHAT'S ON

Events open to the public from the University of Cambridge

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Mon 5 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Tue 6 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

12:30PM - 2:00PM

Conceptions of Sin and the Nature of Social Life: Anthropology and the Theology of Atonement

Seminar by Prof. Joel Robbins

12:30PM - 2:00PM

The Search For Meaning Amidst Cosmic Annihilation, Transhumanism and the Last Judgement

Seminar by Dr Michael Burdett

Wed 7 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

6:00PM - 7:00PM

Highlight The Honorary Fellows Lecture - Towards a silent aircraft

The Honorary Fellows Lecture will be given by Professor Dame Ann Dowling OM DBE FRS FREng, President of the Royal Academy of Engineering and Professor of Mechanical Engineering, University of Cambridge

Thu 8 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Fri 9 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Sat 10 February 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Sun 11 February 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

12:00PM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

12:00PM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

7:30PM - 9:45PM

City of Cambridge Symphony Orchestra concert

CCSO plays an all-Russian programme including music by Rachmaninov and Tchaikovsky