WHAT'S ON

52 Days to Timbuktu - an exhibition by Tim Oelman

Art exhibition by Tim Oelman

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Social Commentary - an exhibition by Mohammed Djazmi

Exhibition by artist Mohammed Djazmi

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Paper cutting workshop for adults with artist Vanessa Stone

Cut paper artist Vanessa Stone will share her expertise by teaching the skills to produce your very own cut paper pieces.

Festival of Carols

Cambridge Summer Music Festival Choir plus Prime Brass and Cambridge Chord Company in a Festival of Carols

52 Days to Timbuktu - an exhibition by Tim Oelman

Art exhibition by Tim Oelman

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Social Commentary - an exhibition by Mohammed Djazmi

Exhibition by artist Mohammed Djazmi

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

University social club swimming Cancelled

This event has been cancelled. Lane swimming available every Tuesday for University and non-University individuals

CAN Conference 2014: Cambridge – the creative city

An event to discuss how the arts and cultural sector can contribute to the future of our City

52 Days to Timbuktu - an exhibition by Tim Oelman

Art exhibition by Tim Oelman

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Social Commentary - an exhibition by Mohammed Djazmi

Exhibition by artist Mohammed Djazmi

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

The fashion mannequin: ‘Artistic creation’?

Anna Marie Kirk, Research Assistant, Paintings, Drawings and Prints.

52 Days to Timbuktu - an exhibition by Tim Oelman

Art exhibition by Tim Oelman

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Social Commentary - an exhibition by Mohammed Djazmi

Exhibition by artist Mohammed Djazmi

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

The Humanitarian Centre christmas social 2014

Join us for the Humanitarian Centre Christmas Social! A Night of Networking, Story Sharing and Festive Fun. Hughes Hall, Pavilion Room | 6.30pm – 9.30pm | Thursday 11th December 2014

52 Days to Timbuktu - an exhibition by Tim Oelman

Art exhibition by Tim Oelman

Concrete poetry exhibition - a token of concrete affection

Works from the personal collection of art historian Stephen Bann relating to close exchanges between Cambridge and Brazilian poets in the 1960s.

Social Commentary - an exhibition by Mohammed Djazmi

Exhibition by artist Mohammed Djazmi

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Christmas craft art workshop

Design and make your own Christmas cards with seasonal inspiration from the Fitzwilliam Museum's collection.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Ediacaran Enigmas: resolving the fossil record of early animals

This new display is a snapshot of the research taking place in the department of Earth Sciences at Cambridge on fossils from the 540-580 million year old Ediacaran Period, known as the 'Ediacaran Biota'.

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Natalie Dower & Harriet Mena Hill: the elegance of order Cancelled

An exhibition that brings together two artists from different generations, who work within pre-set parameters, which guide, and to some extent govern the outcome of their images.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

Open your mind!

Electrocute your senses, read your brainwaves and take a journey through your mind!

Element – An exhibition of recent paintings by Zachary Beer

An exhibition of recent paintings by Zachary Beer, exploring flora and biochemical processes.

Beauty and Revolution

The Poetry and Art of Ian Hamilton Finlay

1914: war and money

World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell.

Caroline Watson and female printmaking in late Georgian England

Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers.

Fatal consequences: the Chapman Brothers and Goya’s disasters of war

The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series.

Studio Sundays

Drop in practical art workshops for families with children of all ages. Join us in the Learning Studio to make your own artwork inspired by our exhibitions and collection. A chance to explore, chat, sketch, make and play.