| Sun 21 December 2014 | 10:30AM - 4:30PM |
Highlight Buddha's word: the life of books in Tibet and Beyond The first exhibition of Tibetan material in Cambridge, and the first time in the Museum of Archaeology and Anthropology’s history that its Buddhist collections will be showcased in an exhibition. |
| 11:30AM - 5:00PM |
The Poetry and Art of Ian Hamilton Finlay |
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| 12:00PM - 5:00PM |
World War I consumed vast quantities of money as well as lives. This display of coins, medals, banknotes and government bonds provides an insight into the desperate measures that had to be used to maintain a supply of money, from the transition of gold coinage at the outbreak of war in 1914 to inflationary paper money by 1918 when the great European empires fell. |
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| 12:00PM - 5:00PM |
Caroline Watson and female printmaking in late Georgian England Caroline Watson ( 1760/61 - 1814) was one of the most skilful engravers working in late 18th century England. She can be seen as the first British professional woman engraver. This exhibition shows a selection of her portrait and subject prints, together with those of other contemporary women printmakers. |
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| 12:00PM - 5:00PM |
Fatal consequences: the Chapman Brothers and Goya’s disasters of war The Chapman Brothers’ Disasters of War takes Goya’s print series of the same title and reinvents and extends the imagery and horrors with a cornucopia of ideas from later wars and modern culture. This exhibition shows different versions of the Chapman Bothers’ set, together with a selection from Goya’s original series. |
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| 12:00PM - 5:00PM |
Highlight Silent partners artist & mannequin from function to fetish Silent Partners is the first exhibition uncovering the evolution of the artist’s mannequin. It will show how, from being an inconspicuous studio tool, a piece of equipment as necessary as easel, pigments and brushes, the lay figure became the fetishised subject of the artist’s painting, and eventually, in the 20th century, a work of art in its own right. |
