WHAT'S ON

Events open to the public from the University of Cambridge

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Exhibitions

Goggled Head II (teeth), 1969. Bronze. Edition of 6

DAME ELISABETH FRINK Larger Than Life

Larger Than Life is the first major showing of Dame Elisabeth Frink’s works in East Anglia since her death and includes works from a leading private collection. A daughter of the region, her first representations of warlike figures and the horrors of conflict date from her adolescence spent beside a military airfield in Suffolk during much of the Second World War.

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Mon 5 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Tue 6 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Wed 7 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Thu 8 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Fri 9 February 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Sat 10 February 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Sun 11 February 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

12:00PM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

12:00PM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.