WHAT'S ON

Events open to the public from the University of Cambridge

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Exhibitions

William Blake etching named Head of a Damned Soul.

William Blake’s Universe

Discover William Blake’s universe and a constellation of European artists seeking spirituality in their lives and art in response to war, revolution and political turbulence.

Mon 5 February 2018 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

Tue 6 February 2018 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

10:00AM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Wed 7 February 2018 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

10:00AM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Thu 8 February 2018 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

10:00AM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Fri 9 February 2018 9:00AM - 6:00PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

10:00AM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Sat 10 February 2018 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

10:00AM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

10:00AM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

10:00AM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.

Sun 11 February 2018 9:00AM - 4:30PM

Landscapes Below: Mapping and the New Science of Geology

Landscapes Below celebrates a period of experimental geological map-making in the 19th century, focusing on the use of colour in geological maps and on the development of a visual vocabulary for the new science.

12:00PM - 5:00PM

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

12:00PM - 5:00PM

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

12:00PM - 5:00PM

The Object of My Affection: stories of love from the Fitzwilliam collection

Love is very much in the air in this exhibition, which contains objects alive with the range of emotions that it commands; from admiration and affection, joy and passion, longing and despair, to insults, indifference, grief and remembrance.