WHAT'S ON

Freedom and Fragmentation: Images of Decolonisation and Partition from the Centre of South Asian Studies Archive

To commemorate the many meanings of freedom in South Asia in 1947, the Centre of South Asian Studies is holding the first ever public exhibition of its collections.

Freedom and Fragmentation: Images of Decolonisation and Partition from the Centre of South Asian Studies Archive

To commemorate the many meanings of freedom in South Asia in 1947, the Centre of South Asian Studies is holding the first ever public exhibition of its collections.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Freedom and Fragmentation: Images of Decolonisation and Partition from the Centre of South Asian Studies Archive

To commemorate the many meanings of freedom in South Asia in 1947, the Centre of South Asian Studies is holding the first ever public exhibition of its collections.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Freedom and Fragmentation: Images of Decolonisation and Partition from the Centre of South Asian Studies Archive

To commemorate the many meanings of freedom in South Asia in 1947, the Centre of South Asian Studies is holding the first ever public exhibition of its collections.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Art Exhibition of Paintings by Stefan Luszczak

An exhibition of original paintings by Stefan Luszczak

Freedom and Fragmentation: Images of Decolonisation and Partition from the Centre of South Asian Studies Archive

To commemorate the many meanings of freedom in South Asia in 1947, the Centre of South Asian Studies is holding the first ever public exhibition of its collections.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.

Degas, Caricature and Modernity: Daumier, Gavarni, Keene

Edgas Degas (1834-1917) possessed what his friend Walter Sickert (1860-1942) described as ‘a rollicking and somewhat bear-like sense of fun’. This exhibition looks at three caricaturists and satirists whose work Degas admired and collected in large numbers: Honoré Daumier (1808-79), Paul Gavarni (1804-66) and Charles Keene (1823-91).

Degas’s Drinker: portraits by Marcellin Desboutin

Edgar Degas’s famous painting In a Café (L’Absinthe, 1875-6), features a dissolute bearded man whom Degas modeled on his characterful friend and fellow artist Marcellin Desboutin (1832-1902). Both men shared a passion for printmaking and this exhibition explores the Museum’s rare collection of Desboutin’s sensitively executed prints in drypoint

Elephants, Deities and Ashoka’s Pillar: Coins of India from antiquity to the present

As part of the commemoration in 2017 of the 70th anniversary of Indian independence - marked by the UK-India Year of Culture - this exhibition, drawn from the Fitzwilliam’s world-class numismatic collection, will explore the history of India through coins produced from the 4th century BC until recent times.

Sampled Lives: Samplers from the Fitzwilliam Museum

Showcasing over 100 samplers from the Museum’s excellent but often unseen collection, this display highlights the importance of samplers as documentary evidence of past lives.