(Statutes and Ordinances, p. 356)
The papers in Part II of the Tripos have been renumbered: Paper 2 becomes Paper 7 and Papers 3-7 become Papers 2-6 respectively. Cross-references have been amended accordingly. Changes to the supplementary regulations in respect of Paper 5 of Part IA of the Tripos have also been approved by the Faculty Board of Music.
Regulation 16.
The papers for Part II will therefore be as follows:
| Paper 1 | Dissertation. |
| Paper 2. | Advanced tonal composition. |
| Paper 3. | Portfolio of free compositions. |
| Paper 4. | Analysis portfolio. |
| Paper 5. | Notation portfolio. |
| Paper 6. | Test of performance. |
| Paper 7. | Fugue. |
The final paragraph of the regulation has been amended so as to read:
Each paper shall be of three hours' duration with the following exceptions:
| (a) | Paper 1, which shall be submitted in accordance with Regulation 19; |
| (b) | Papers 2-5, which shall be submitted in accordance with Regulation 18; |
| (c) | The examination for Paper 6 which shall consist of a recital either on an instrument or of singing; |
| (d) | Paper 7, which shall be of four hours' duration; |
Regulation 17.
The regulation has been amended by replacing the first sentence of the regulation with the following:
A candidate for Part II shall offer six papers in all: these shall include at least one and not more than four from Papers 1-5, and at least two from Papers 6-7 and the additional papers announced by the Faculty Board under Regulation 16.
(Statutes and Ordinances, p. 358)
By replacing the current wording for Paper 5 to read:
The paper will be divided into two sections. In the first section, compositions, or extracts from compositions, either from the period 1700-1780 or from the period 1780-1830 will be provided for analysis. A recording of the compositions or extracts will be played once to candidates at the beginning of the examination; candidates will be permitted to annotate their scores while listening. In the second section, compositions or extracts from compositions from the period not represented in the first section will be provided for analysis. The compositions or extracts examined in the second section will be drawn from a repertoire prescribed by the Faculty Board at the beginning of the academical year in which the examination takes place. Candidates will be required to answer two questions, one from each section.
By renumbering the papers, as outlined above.