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A.Melody as ritual. B.Foundations of twentieth-century music. |
World music and the western intellectual tradition. |
The composers prescribed are: Buxtehude and François Couperin. |
A.Italian opera from Monteverdi to Handel. B.J. S. Bach in context and reception. C.Traditional music of the Bolivian Andes. D.Notation, c. 1420-1520. |
A.The operas of Mozart. B.Historicism in music, 1829-97. C.Schoenberg, Berg, and Webern: the three Viennese and their world. |
'Andalusian' nawbat in Tunisia. Handel, Rodelinda. Da Ponte and Mozart, Le nozze di Figaro. Brahms's chamber music with clarinet. Berg, Lulu |
See Paper 1 of Part IB. |
6. Performance practice. 7. Perception and performance. 8. Dialogues in world musics. 9. The Roman de Fauvel. 10. Music, print, and culture in the renaissance. 11. Domenico Scarlatti and eighteenth-century musical style. 12. The song cycles of Schubert and Schumann. 13. The songs of Claude Debussy. 14. Ravel. |
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